CONCERT PERFORMANCE AS A FORM OF ARTISTIC COMMUNICATION

Abstract

It is proved that music occupies a special place in the arts system. Among other arts, music is distinguished by its specific properties. The indirect and procedural character of musical art caused particular attention to the problems of performing. The traditional form of musical and performing arts is a concert performance, the demand of which not only is preserved, but continues to grow.

Today, the interest in concert performances is of particular relevance. It is seen as the most active form of expression in art. In the conditions of technological development there are modern ways of musical performances functioning and the new means of artistic content translation: on-line concerts, audio recordings, video broadcasting, etc.

The evolution of the forms and contents of concert performances requires a systematic renewal of the research methods of this artistic phenomenon, the search for innovative approaches to understanding its essence, its functional purpose and significance in the modern artistic environment. Consideration of a concert performance as a way of disseminating the values of artistic culture and a means of direct communication between the artist and listeners actualizes the communicative functions of concert performances.

The beginning of concert activity refers to the ancient times. When concert practice acquired a professional status and a democratic character, there was a diversification of communication processes between the performer and the audience. As a means of emotional communication, the musical performance is based on complex intellectual and psycho-physiological processes that take place in the process of live performance.

The significance of concert performances as a means of live communication with music is enhanced by the into national nature of musical art. On the basis of the composer's conception comprehension and as a result of the musician creative work, a performing intonation is born. This ensures the efficiency of artistic information transmission by attracting the listener to empathy. The determining component of artistic communication is the feedback. It is proved that only the intellectual-creative, emotional connection between the artist and the recipient ensures the implementation of artistic communication. Under such conditions, the transmission of artistic information takes place, which embodies a certain attitude towards the world and reflects the relevant value orientations. Reflection is the important mechanism that determines the success of a concert performance. Creating a true artistic image will help to listeners to experience identical feelings, to feel similar emotions.

The comprehension of the musical work content in the context of the relevant historical process, a certain social reality and artistic culture is Important for the implementation of artistic communication. An appeal to the spiritual world of the author, his outlook and moral principles accelerates and deepens the process of spiritual appropriation of artistic values ​​by the participants of the communication process. It is recognized that in the process of artistic communication, all creative components – the composer, the performer and the listener – are reunited, and the artistic meanings that arise in this process of communication are regarded as equal.

The real existence of music as an aesthetic phenomenon is based on the consciousness of the listener who perceives, emotionally experiences and evaluates the work performed. All the activities of the artist, oriented to the comprehension of the musical work, are carried out for the sake of the listener. The ability of an artist-performer to survive a special sense of inspiration opens the way to influence on the audience. In this regard, an important aspect of the stage behavior of the performer is empathy.

In the professional activity of the music teacher, concert performances are an important component of professional training. This implies the education of musical thinking, the formation of artistic qualities, the mastering of performing techniques, gaining experience in understanding and attitude to musical art.

As one of the main forms of the musical art existence, concert activity carries out a social function and provides a relation between the assets of musical culture and society.